• February 2012

So, You Want to Write a Book?

When it comes to penning the Great American novel, the autobiography of your accomplishments, or a how-to tome that shares your professional expertise—almost everyone has a book struggling to burst free.

That’s why our February 2012 theme is dedicated to the love of books. Our goal is to help that story go from idea to published manuscript, so check out our Tips for Entrepreneurs column, where more than 20 authors offer their Publishing Rule of Thumb.

For more insight into the publishing world, we talked with New York Times bestselling author Ridley Pearson. Among his 28 titles is the book he penned with renowned humorist Dave Barry (pictured right, with Pearson in the foreground), “Peter and the Starcatchers.” Scroll down to read all about it.

Also in this issue:

  • Our Book of the Month, “Write That Book Already!,” by Sam Barry and Kathi Kamen Goldmark, will get your creative juices flowing.
  • Our new client and videography columnist Andrea Keating, CEO of Crews Control, explains why The E-Myth Revisited guides and inspires her.
  • Ever been to Kramerbooks’ Afterwords Cafe? The next time you are in DC’s Dupont Circle, stop by for an inspired meal.

We part with this thought from E. L. Doctorow: “Writing a novel is like driving a car at night. You can only see to the end of your headlights; but you can make the whole trip that way.”

Here’s to writing that book already!Hope Katz Gibbs
Be Inkandescent / Inkandescent PR / Inkandescent Networking

Adventures in Authorland with Ridley Pearson


By Hope Katz Gibbs, Publisher/Founder
Be Inkandescent and
Inkandescent PR

What child hasn’t wanted to fly to the “second star to the right, and straight on till morning,” to find themselves on the island of Neverland?

“Certainly no one I’ve ever met,” says bestselling author Ridley Pearson, whose novels cover a lot of ground, from the paranormal to the Peter Pan prequels, which he co-authored with humorist Dave Barry. Pearson is perhaps best known for his crime fiction novels, which have been translated into 22 languages and sell in 70 countries: ridleypearson.com.

What makes Pearson’s novels so engaging, critics agree, is his ability to pull in readers in the first paragraph—and keep them hanging on until the last page.

Consider the opening scene from “Peter and the Starcatchers”: “The tired old carriage, pulled by two tired old horses, rumbled onto the wharf, its creaky wheels bumpety-bumping on the uneven planks, waking Peter from his restless slumber. The carriage interior, hot and stuffy, smelled of five smallish boys and one largish man, none of whom was keen on bathing.”

In the following 450 paperback pages, we learn that Peter is the leader of the boys—because he was the oldest. Or so he said. This charismatic leader who dresses in tights and has a flying fairy for a best friend can’t help but capture your heart and imagination.

And so, readers are sucked in to the fast-paced adventure that ensues on the high seas as Peter and his new gal-pal Molly (a character created in the image of the strong young women that Pearson and Barry were themselves raising) overcome pirates and thieves in their quest to keep the world safe from evil.

Despite his gift as a wordsmith, Pearson’s first love wasn’t books. It was music.

“I always wanted to grow up to be the leader of a band,” says the Connecticut native (pictured, right, a few years back when he had the chance to play with Steve Martin). He attended boarding school at the Pomfret School before heading off to Kansas University with his best bud, Otis Read.

When Otis was diagnosed with cancer during sophomore year, however, it was a game changer for both men.

“He asked me to help him through the treatments, and how could I refuse,” asks Pearson, who was also tempted by Read’s offer to start a band. “When Otis recovered, we started playing music together, Hall & Oates style, and it was a dream come true.”

While Pearson did return to college at Brown University, he never graduated. “It’s one of the biggest regrets of my life,” he admits. “Somewhere around year five of the band, I also realized what a difficult life it is to be a full-time musician. But we were young and determined, and so we persevered.”

Read and Pearson made their way from gig to gig for 11 years. They put together a variety of other bands during that period, and had a ball traveling the country and scraping by.

“We knew when we were in our late 20s that we didn’t want to be earning little money, and lugging tons of equipment around in our converted school bus when we were 40.

And so, after a barely lucrative night playing at a coffeehouse called the Big O in Bend, Oregon, the band decided to call it quits. “It was one of the saddest days of my life,” Pearson admits, “but it had to be done.”

During the last few years of his music career, Pearson began writing. “I went into the writing business naively, which proved to be a benefit,” says Pearson. “I wasn’t aware of the odds, but even if I was, it would have seemed like a better opportunity than the hard-knocks music business.”

Fortunately, tenacity is Pearson’s friend, because he wrote for more than eight years before selling a single manuscript.

“I started writing on-spec scripts for TV shows like ‘Columbo,’ because I loved the genre,” he shares, admitting that he never sold one. “But I was really fortunate during that time to find some guys who were willing to mentor me, and their advice, and my trial and error, was what got me to the point where I could finally sell something. I got an agent, and I got lucky.”

That book, Never Look Back, was published in 1984.

“Getting the hardcover book in the mail was one of the highlights of my life,” Pearson shares. “At the time, I was living in a house that my parents had built in Idaho, and I remember clearly the UPS man handing me the package. Before I even signed for it, I tore it open, and there it was—my novel. It was a breathless moment. I went running into the backyard, jumping around and screaming with delight. It was an out-of-body experience.”

To achieve those spectacular moments, Pearson says the key is to never, ever give up. “The thing about success is that if you are doing something you love, you can’t make yourself give up,” he insists. “I have had umpteen zillion part-time jobs to support myself so that I could do what I loved, and I’d still be doing whatever it took to play music and tell stories. Even if I was working in a corporation to support my family,” he says. “I’d be playing music and writing in my spare time. It’s who I am. I am a storyteller.”

Despite the fact that his career as an author was taking off by the 1990s, he couldn’t give up his passion for music. And that’s when he met Dave Barry, and the other founding members of the Rock Bottom Remainders, a band founded in 1992 by Kathi Kamen Goldmark.

“The arts are for sharks,” Pearson knows. “You have to keep swimming. You can’t rest—or you will sink or get eaten.”

Pearson says he never stops studying, learning, creating, and working with other creative people. “And every day, I think I’m a little better at what I do for what I read, the movies I watch—and just being in the world and listening. It makes the sentences better, the plots deeper, and the stories richer.”

That approach to his work is what brought Pearson and Dave Barry together in 2002.

“We had been friends for years and one day decided that it would be fun to work together,” Pearson explains. “We got to thinking about Peter Pan, and what his life was like before he made his way into the Darlings’ house. Either of us could have probably written the series alone, but we knew that if we came together, the story would be more powerful.”

The “Peter and the Starcatchers” series has “sold more copies than napkins,” Pearson jokes.

Last spring, the book became a hit off-Broadway show, which was lauded by critics. It was so good, in fact, that it will be opening again on Broadway in April at the Brooks Atkinson Theater.

Indeed, another highlight of his life was the night that he, Barry, and the cast and crew were waiting for critic Ben Brantley’s review at a bar called Phoebe’s in NoHo. “It was like a scene from one of those old movies, where the cast and crew are all dressed up and drinking cocktails, waiting for the verdict to arrive.”

This being the digital era, the review came across as a text, so someone handed Pearson a BlackBerry.

“Everyone’s face was glowing blue in the light of the machine, and then we were all literally crying with joy and relief. It was another one of those amazing pinch-me moments,” he recalls.

What can you do to hit the big time? Pearson and two dozen other authors offer their advice in this month’s Tips for Entrepreneurs. Don’t miss their words of wisdom—then get back to working on that book! Happy writing!

25 Publishing Rules of Thumb From Bestselling Authors

“Writing a book is hard. Selling a book is even harder,” admits broadcast icon Tom Brokaw, author of seven books, including his latest, The Time of Our Lives.

As you’ll see in the Tips below, few authors disagree, even the ones who have sold millions of copies of their books. Certainly, a lot has to do with talent. Even more has to do with having a great story—especially one that is timely, truly memorable, or simply captures the imagination of the masses.

To find your own recipe for book success, consider the tips below from bestselling authors whom we have had the privilege of interviewing since launching Be Inkandescent magazine in January 2010. We thank each of them for taking the time to offer their words of book publishing wisdom.

Here’s to your publishing success!The Inkandescent team

Secrets to Book Publishing Success

1. Stay in the chair. “The temptation for many writers is to get caught up in the angst of not knowing where to start or where to go next with a character or the plot. So they wiggle around—in their minds and their desk chairs. They get up, make some coffee, walk the dog. And all too often they give up. Authors lovingly call this writer’s block. I say hooey. Designate a chunk of time every day when you are going to do nothing but work on your book. Force yourself to keep your butt in the chair and your fingers on the keyboard. And never talk to me about writer’s block. It’s a figment of your imagination. Put that energy to better use.” — Ridley Pearson is the bestselling author of nearly 30 books, including Peter and the Starcatchers, which he co-wrote with humorist Dave Barry. It has been turned into a musical, which hits Broadway this spring.

2. Breathe, touch, and taste the world where your characters live. “The four-page story about a girl named Velva Jean, which my mother, Penelope Niven, wrote when I was young, always stuck with me. So when I was old enough, I bought the rights for $1, and turned the story into a screenplay. It became an Emmy Award-winning movie in 1996, but I couldn’t get Velva Jean out of my head. I knew that eventually I wanted to bring her back to life in the form of a book, and I did in 2009. I advise others to do the same: If you can feel fictional characters in your skin, and have a burning desire to know more about who they are and what they do, you know that you have a story that’s worth telling.” — Jennifer Niven lives in Los Angeles (where her film ‘Velva Jean Learns to Drive’ won an Emmy Award, and she once played the part of Shania Twain in a music video). Even though she’s always wanted to be a Charlie’s Angel, her true passion is writing. Her fourth book, a memoir called The Aqua-Net Diaries: Big Hair, Big Dreams, Small Town, was optioned by Warner Brothers as a TV series. Niven’s sixth book, Becoming Clementine, is due out from Penguin/Plume on August 30.

3. Decide if you are a sissy, or not. “The best reason to write a book is because you can’t bear not to write it. The publishing process is not for sissies. The process is hard. The business of marketing and selling books is even harder. So if you’re not on fire to share your message, don’t bother. But if you have a passion for spreading your message, then don’t let anything stop you.” — Lisa Earle McLeod is a business strategist and expert in sales force and leadership development. She is also a syndicated columnist, media commentator, and keynote speaker, who has written three books, Forget Perfect, The Triangle of Truth (named a Top 5 Business Book for Leaders by The Washington Post), and Selling With Noble Purpose.

4. Fall in love with your material. “Writing a book requires so much energy, dedication, and focus that if you aren’t deeply engaged, you will not have the patience to tackle all the challenges of writing, revising, birthing, and taking the work into the world. Be open to the material. It works on you as you work on it, deepening your understanding of what you are saying, inviting you to stand for what you know and have discovered. Writing is a vocation, a calling, a commitment to clarity. As far as the process of putting a book in the world, nothing is impossible. Much is difficult.” — J. Ruth Gendler is a best-selling author, nationally exhibiting artist, and educator who has led writing workshops for adults and children for 25 years. Her Book of Qualities has been excerpted widely, used as a classroom exercise in personification and values in school settings from 2nd grade to college English classes, adapted for theater/dance, and quoted in sermons and speeches.

5. Don’t worry whether or not your book topic is commercially viable. Write what is truest for you. For me, that was a story about the years my Japanese-American mother and grandparents spent in an internment camp during World War II. I started writing it as a short story when I was getting my degree in creative writing from Columbia, and thought it might be respectfully reviewed as a good work of historical fiction, but didn’t think that this would ever find more than a few hundred readers—if I was lucky. It came out in 2001 and became a New York Times Notable Book, a San Francisco Chronicle Best Book of the Year, and a Barnes & Noble Discover Great New Writers finalist. Even if it didn’t get that kind of recognition, I would have been glad that I wrote it because it was a story that I needed to write for myself as a way of understanding the world that I grew up in. And remember, there’s no rush. Take your time to write the best book that you can. If it’s good, it will find a home.” — 
Julie Otsuka studied art as an undergraduate at Yale University, and pursued a career as a painter for several years before turning to fiction writing at age 30. Her second book, The Buddha in the Attic, traces the picture brides’ extraordinary lives. She is working on her third novel, about the power of remembering and forgetting.

6. Ignore the naysayers! “I knew going in that getting my book published was going to be a long shot. I was not an established author, and I didn’t have a ready-built big platform (publisher-speak for folks who follow your work). However, I had an appealing message that I researched thoroughly and wrote about passionately. I decided to take the chance and followed the rules of writing a nonfiction book proposal to the ‘T.’ Add a little luck, lots of faith and determination, and now I’m a published author. It feels great. But most importantly, I got to spread my message to thousands of readers about the magnitude, power, and potential of giving by everyday donors.” — Wendy Smith is the author of Give a Little: How Your Small Donations Can Transform Our World. She has worked in the nonprofit sector for 25 years and now consults to organizations around the world, writes for publications, and speaks about the magnitude, power, and potential of citizen donors.

7. Realize that things can change in a heartbeat. “My last novel was rejected on contract by my publisher, who said it was not ‘special enough.’ I was sure my career was over, because I had never really had any sales with any of my other novels. But then one day the novel, Pictures of You, was snapped up by another publisher, Algonquin, who turned my ‘not special’ novel into a bestseller that made the New York Times and USA Today bestseller lists. Sometimes a publisher and a writer are the right fit—and that’s when magic happens.” — Caroline Leavitt is the author of nine novels, including her latest, Pictures of You, which was a San Francisco Chronicle Lit Pick, a Costco’s Penny’s Pick, and on the Best Books of 2011 List from the San Francisco Chronicle. She is also a book critic for People magazine and The Boston Globe.

8. Build a support system. “You need a team of professionals around you to make sure your book shines. When it comes to an agent, make sure you find someone whom the publishers respect and who treats your manuscript like a treasure. After all, a great work may never get a good publisher, because the agent shopped it around and destroyed its appeal. Make sure the agent and the publisher value you, the author, not just your work. Then, once the book comes out, don’t go it alone here either. Even great publishers will do relatively little to promote your book, so know up front that you will need some help. Set aside a promotion budget and retain a good media consultant. You will be glad you went to the professionals for help.” — Herta von Stiegel is the founder and CEO of Ariya Capital Group Limited, a fund manager focusing on sustainable investments in Africa. The firm operates from London, Gaborone, and the Channel Islands, and focuses on three mutually reinforcing sectors: clean energy, financial institutions, and telecommunications. In July 2008, she led a multinational and multi-ability team to climb Mount Kilimanjaro, and co-produced the inspirational award-winning film ‘The Mountain Within,’ which she turned into an impressive book on the fundamentals and power of good leadership, in 2011.

9. Snag a great editor. “Your job as an author is to write the best book you possibly can. If the book isn’t good, everything else—getting an agent, finding (or keeping) a publisher, striving to hit the bestseller lists—is a moot point. That’s why everyone needs a great editor to help them whip their manuscript into shape. If you already have a publisher, then an editor comes with the deal. If you don’t, then you need to get your completed manuscript in the hands of a competent editor, preferably someone not related to you, who will give you critical feedback. Market research tells us time and again that the well-written novel, like the proverbial cream, will rise to the top. It isn’t rocket science. Write a good book, and it will sell. So get someone to help make sure it’s the best book you can turn out.” — Marcia Talley is the Agatha and Anthony award-winning author of The Last Refuge, and 10 other mystery novels featuring sleuth Hannah Ives. She also participated in two serial novels, Naked Came the Phoenix, and I’d Kill for That, which included chapters by 13 famous women mystery authors, and the more recent, No Rest for the Dead. Talley’s latest Hannah Ives mystery, A Quiet Death, hit bookstores in May 2011.

10. Help a publisher find you. “While many authors consider self-publishing, I think the better approach is to work with a well-known publishing house. The process is even better if the publisher finds you, which is what happened with my first book, The Balance Within: The Science Connecting Health and Emotions, (Freeman 2000). I had written an article on the same topic for the Scientific American, and the editor of their book publishing arm saw a copy of the galley proofs and asked me if I would turn it into a book. What he liked most, he said, was my style—something the lay public would want to read, not that they had to read to pass an exam. Having been an academic for most of my career, I could relate. Similarly, for my second book Healing Spaces: The Science of Place and Well-Being, the editor of Harvard University Press heard me deliver a talk at an international conference and wanted me to turn it into a book. This time I was more hesitant, as I didn’t really want to write on the topic at the time. But he convinced me over coffee—and it turned out he knew what he was talking about. Healing Spaces has become an influential book that is now a PBS documentary and an Amazon bestseller.” — Dr. Esther Sternberg, an internationally recognized physician and neuroscientist, whose books include The Balance Within: The Science Connecting Health and Emotions, and Healing Spaces: The Science of Place and Well-Being. Her PBS documentary explores how our brains, through the impact of light, vision, and environment, help us heal physically and emotionally.

11. Research potential agents like you research your book. “There is lots of great advice out there about what makes a good agent and how to find one, but one of the most important and often overlooked characteristics in an agent is whether or not the agent is seeking new writers. Keep an eye on the personnel news of websites and e-newsletters like Publishers Marketplace and Publishers Weekly. Hunt for agents who are new, or who have recently switched agencies, been promoted, or struck out on their own—they are much more likely to be seeking new writers. A new agent at an established agency can give you the best of both worlds: someone young, energetic, and open-minded, but with all the resources of a major agency.” — Jonathan McGoran is author of three D. H. Dublin forensic mysteries, as well as the upcoming thriller Drift, which will be published by Tor/Forge in 2013.

12. Don’t rule out a best seller on a small print run. “Sometimes, make that many times, authors are excited to land a literary agent and a book deal and then disappointed when they learn their first book run will be in the low thousands. Good stories have a way of taking off. Think J.K. Rollins, author of the wildly successful Harry Potter series. Bloomsbury, the publisher, printed only 500 copies of Harry Potter and the Philosopher’s Stone (its original British title). There have been plenty of other unknown authors whose books have sprouted wings. Even in the self-published e-book world, authors, such as Amanda Hockings and John Locke, have soared to bestseller status. Each author’s book(s) appeared to take off for different reasons — J.K. Rollins had the word-of-mouth playground effect we all know from recess. Amanda Hockings did her research as to what genres were hot and got in near the bottom of the growing cascade of book bloggers who wanted free books to review, and John Locke, an insurance salesman knew how to market a product.”
S. Z. Berg is an award-winning national journalist, blogger at The Huffington Post, and the author of MIND GAMES, a novel.

13. Make a thorough outline. “Staring at a blinking cursor on a blank Word doc is incredibly intimidating and overwhelming, so do yourself a favor and make a thorough outline. For my book, I made an initial, high-level outline that I shared with my editor and then kept drilling down and adding to it until it was very, very detailed and filled with lots of references and information I wanted to make sure to include and cite. It helped turn what initially felt like the prospect of climbing Mt. Everest all alone into the prospect of climbing a slightly smaller mountain with guides and help along the way. Hey, I won’t lie—it’s still climbing a mountain! And that’s hardly easy. But having an outline really helped me segment the work and feel good about finishing each section. I also printed out a copy of the outline so that I could actually draw lines—with a real pen on real paper—through each little part as I completed it. That helped somehow and made my progress tangible.” — LouAnn Lofton is a longtime editor at the finance firm, The Motley Fool, and the author of the 2011 bestselling investment primer, Warren Buffet Invests Like a Girl—and Why You Should, Too!

14. Know you’ll have to write a lot of junk before you get to the crux of the story you want to tell. “So don’t spend a lot of time stewing about the writing process, or you’ll get stuck in the idea that you need to do it a certain way that doesn’t feel right. Every writer needs to master their own process. Outlines, for example, don’t work for me. And for a while I was so caught up in the idea that I was supposed to write a nice, neat, comprehensive outline, that I didn’t write a thing. So I threw out the fantasy and just started digging in and writing what I felt like writing. I focused on quantity, and just got it all out of my head and onto the computer. I knew I’d go back and edit later. And I did. A lot.” — Rachel Machacek is the author of The Science of Single: One Woman’s Grand Experiment in Modern Dating, Creating Chemistry and Finding Love. She is working on her second book, which is not about dating.

15. Write with a friend. “While not every author has the chance to write with a close friend, in the two books we’ve written together we have found that the benefits in doing so are numerous. First of all, two people can write twice as fast and produce twice the number of words as one. Co-authoring also allowed us to take full advantage of each other’s personal experience and expertise. Perhaps best of all, the collaboration helped us spiritually and psychologically. When one of us was down, the other was there to offer optimism and encouragement. When one of us did something especially well, the other was there to offer congratulations. And in the end, nothing is more important than keeping your emotional stability during the long slog of writing a book.” — Morley Winograd and Michael D. Hais are the co-authors of Millennial Makeover: My Space, YouTube, and the Future of American Politics (2008), and Millennial Momentum: How a New Generation Is Remaking America (2011).

16. Use the Meat-and-Salt Method. “To make the people and events in your book spring to life, remember this simple recipe: Start with a hearty helping of meat, which includes all the facts you’ll ever need to know to explain your story properly. And be sure to flavor it with plenty of salt—some juicy bits of humor or a few spicy anecdotes, for example. And one more thing: The facts aren’t always pretty. But I strongly believe that as authors, we have to be honest about the good, the bad, and the ugly parts of our past and present.” — Rosalyn Schanzer is an author and illustrator of 16 books for young people, including her latest, Witches! The Absolutely True Tale of Disaster in Salem, which won the Gold Medal for Best Illustrated Children’s Book of 2011 and is a 2012 Sibert Honor Book (awarded to the five most distinguished nonfiction books of the year).

17. Write with the reader in mind. “I write books about HR topics, and I always think through what someone would need to know before I sketch what I think they should know. The reason is simple: Sometimes, what I think they need to know and what they really want to learn is very different, and if I tell them what I think they should want to know, I come across as ‘preachy.’ The fact is that adults learn at their own pace, so I do my best to step back and think about the topic from the point of view of someone who knows little or nothing, and then I go from there.” — Barbara Mitchell has been in the HR business for more than three decades. After selling her successful Millennium Group HR firm, she co-authored The Essential HR Handbook (2008) with her colleague Sharon Armstrong. In 2011, she co-wrote The Big Book of HR with Cornelia Gamlem. Both books were published by Career Press.

18. Write like no one is watching. “You were born to go out, hunt, gather, and survive, and that’s a far cry from sitting on your duff writing for hours each day. Humans writing books is about as natural as unicorns riding unicycles. Yet, we do it. Odd activities require odd behavior, so give yourself permission to read your book out loud. If you can’t get a sentence out without taking a breath, shorten it. If you’re lecturing to yourself like your high school English teacher, explain it in a way that a kindergartner could understand. And be a writer’s-block-buster! When your head gets clogged, jump around, wave your hands, and make any noise that comes naturally—disturbing or desirable. Really, no one is watching.” — Laura Berger is an executive advisor and founder of The Berdéo Group. She has 15 years of experience as a consultant advising leadership in global operations management and strategy, project and change management, and solution development and implementation. She co-wrote her 2012 book, Fall in Love Again, with her husband, Glen Tibaldeo.

19. Don’t edit while you’re writing. “It’s harder than it looks. But by following this advice, I was able to allow my ideas to flow and simply get everything that came into mind onto paper (or I guess more accurately, into my Word document). The trick was letting my ‘stream of consciousness’ do the work. Somehow, the information evolved, and one idea would remind me of a story that would lead to an example, idea, or action item to include. My focus was on getting my thoughts and ideas captured, and it was a relief to know that I didn’t need to be concerned, at that time, about grammar or punctuation or even whether information was in the right order. Once I had everything written, it was effective to go back and make the edits.” — Donna Fisher is an expert on the art of networking. Her books include Power Networking, People Power, Professional Networking for Dummies and Switched-On Networking.

20. Promote, promote, promote. “Once your book is published, the fun really begins. Now it’s time to start promoting it so that you can sell copies. We always list our books on a variety of author-friendly websites, and our favorites are the ones where you can offer signed copies as a prize because they get some great attention. One of our favorites is www.goodreads.com, Check out their Author Program, because when we posted our book we got some great traction. In fact, more than 850 people entered to win our book as a prize, and that helped drive book sales and also helped the book get some nice reviews. The key is to be savvy about getting the word out about your book—and keep at it.” — Sam Barry and Kathi Kamen Goldmark are the co-authors of Write That Book Already! Barry is also the author of How to Play the Harmonica—And Other Life Lessons.

21. Don’t expect the publisher to market your book. “They won’t. Or at least not much. So do something EVERY day to get the word out. Do speaking engagements on the topic, write articles, blog. You are the expert on the issue, so get out there. And give away as many copies as you can. It’s more important to get the book circulating—and develop good word of mouth—than to make a few pennies on royalties. So keep at it. Just as I learned that I have a capacity to write at 3 a.m. for several days in a row the week before the manuscript is due, I was able to put as much energy and passion into promoting the book. You can, too!” — Sharon Armstrong has more than 20 years of experience as a HR trainer and career counselor. Since launching her own consulting firm in 1998, she has written four books: Heeling the Canine Within: The Dog’s Self-Help Companion (1998), Stress-Free Performance Appraisals: Turn Your Most Painful Management Duty into a Powerful Motivational Tool (2003), The Essential HR Handbook: A Quick and Handy Guide for Any Manager or HR Professional (2008), and The Essential Performance Review Handbook (2010).

22. Remember, Facebook is your friend. “Working with a publisher to do the mechanics of book publishing—editing, proofing, graphics—is a valuable service that can be difficult to find and coordinate on our own. But if funds are tight when it comes to promoting the book and you can’t hire a professional publicist, get busy in the social media sphere. Facebook, Twitter, and LinkedIn all provide great platforms to expand your base and establish yourself as a thought leader on your book topic. These outreach outlets have helped get my recent book off to a terrific start.” — Andy Hines is a futurist, lecturer, and executive-in-residence at the University of Houston’s Graduate Program in Futures Studies. He co-founded and is currently on the board of the Association of Professional Futurists and has co-authored four books, including Thinking About the Future: Guidelines for Strategic Foresight (2007), and his latest, ConsumerShift: How Changing Values Are Reshaping the Consumer Landscape.

23. Just like when you were writing a report in grade school, take the necessary steps to get the story out. There’s a story that you have been itching to write, but can’t get it out, right? So be methodical about the process. (a) Give yourself permission to write a “sloppy copy.” Just get that first draft out! And don’t listen to the editor on your shoulder. (b) Keep a notebook with you all the time. Some of your best ideas will come when you least expect it. I have to write them down or I forget. © Write often, but don’t put limits on yourself like word counts. (d) Dream BIG! When I started out, I had never written anything before in my life! My first book has sold over 100,000 copies. And my agent is shopping my third. (e) Prepare to think of your book ALL the time. It will never leave your mind. You’ll go to sleep thinking about it and wake up thinking about it! (f) Find a good editor who will tell you when something is not funny. (g) Have fun. It’s a terrific ride! — Phillip Done is the author of the fantastically funny, tremendously touching stories of his life as a teacher, 32 Third Graders and One Class Bunny, and Close Encounters of the Third-Grade Kind: Thoughts on Teacherhood.

24. Keep moving forward. Great writing (and a great book) is the fruit of multiple drafts. However, reworking your writing before you have a completed draft is generally unproductive and even tortuous—in other words, an immense waste of your precious time and energy. Only after your manuscript has a beginning, middle, and end, will it be clear what is missing, what doesn’t need to be there, and what needs refining. Thus, be good to yourself and avoid the inevitable temptation of trying to rework pages before the draft is done. Make it your daily commitment to forge ahead to the completion of your next and, what will one day be your, final draft. — *Rod Stryker, one of the preeminent yoga, tantra, and meditation teachers in the United States, is the founder of ParaYoga, and the author of The Four Desires: Creating a Life of Purpose, Happiness, Prosperity, and Freedom..

25. Know when you don’t have another book in you. “I actually don’t know if I have an 11th book in me. When I look back to the beginning of my career as an author, I simply had to get the word out. My latest book, Enchantment, was the same experience. I had a burning desire to talk to people about what it means to be enchanting in business. Before I published the book, I knew that I was drawing a bull’s-eye on my back, and that if I was going to teach others to be enchanting, I’d better be a good role model. So if I go through the writing and selling process again, I’d better have something important to say—or there will be no point in attempting the endeavor. I’ll keep you posted.” — Guy Kawasaki is the author of 10 books, including the bestselling titles Enchantment and The Art of the Start. He is also credited with being one of the entrepreneurial geniuses who helped make Apple Computer into the mega success that it is today. Kawasaki is also a founder of Alltop.com, an online magazine rack of hot Web topics.

The best reason to start an organization is to create a product or service to make the world a better place.”

– Guy Kawasaki

Things don’t change. You change your way of looking, that’s all.”

– Carlos Castaneda

Letting go of expectations is a ticket to peace. It allows us to ride over every crisis—small or large—like a beach ball on water.”

– Martha Beck

‎No one is useless in this world who lightens the burden of another.”

– Charles Dickens

Why am I whispering when I have something to say?”

– Eve Ensler

That man is richest whose pleasures are the cheapest.”

– Henry David Thoreau

I was taught at a very young age that you can do whatever you want to, but you have to make it happen — not just talk about it.”

– Kathleen Jo Ryan

If you do not tell the truth about yourself
, you cannot tell it about other people.”

– Virginia Woolf

‎That which grows fast withers as rapidly; that which grows slowly endures.”

– J.G. Holland, novelist

Success is the necessary misfortune of life, but it is only to the very unfortunate that it comes early.”

– Anthony Trollope

Part of your destiny is to live in the zone of maximum satisfaction.”

– Martha Beck

No man will make a great leader who wants to do it all himself, or to get all the credit for doing it”

– Andrew Carnegie

Simplicity is the ultimate sophistication.”

– Leonardo da Vinci

That which does not kill us makes us stronger.”

– Friedrich Nietzsche

You must have chaos within you, to create a dancing star.”

– Frederic Nietzsche

It is not the strongest of the species that survives, nor the most intelligent, but the one most responsive to change.”

– Charles Darwin

My job is my hobby. I come to work to play.”

– Uli Becker, president, Reebok International

Passion makes perfect.”

– Eugene Biro

Almost anyone can start a community, but it takes real talent and commitment to get people to show up and keep coming back.”

– Andy Sernovitz

The young man knows the rules, but the old man knows the exceptions.”

– Oliver Wendell Holmes Jr., U.S. Supreme Court justice

It is possible to fail in many ways…while to succeed is possible only in one way.”

– Aristotle

If you look at what you have in life, you’ll always have more.
 If you look at what you don’t have in life, you’ll never have enough.”

– Oprah Winfrey

Look at everything as though you were
seeing it either for the first or last time.
Then your time on earth will be filled with glory.”

– Betty Smith

It is only when the mind is free from the old that it meets everything anew, and in that there is joy.”

– J. Kristnhamurti, The First and Last Freedom

He who wants to tear down a house must be prepared to rebuild it.”

– African Proverb

The true entrepreneur is a doer, not a dreamer.”

– Nolan Bushnell, founder, Chuck E. Cheese's

Life shrinks or expands in proportion to one’s courage.”

– Anais Nin

Always look at what you have left. Never look at what you have lost.”

– Robert H. Schuller

Let us seize the day and the opportunity and strive for that greatness of spirit that measures life not by its disappointments but by its possibilities.”

– W.E.B. Du Bois

If people like you they’ll listen to you; if they trust you, they’ll do business with you.”

– Zig Ziglar

When I dare to be powerful—to use my strength in the service of my vision, then it becomes less and less important whether I am afraid.”

– Audre Lorde

The curious paradox is that when I accept myself just as I am, then I can change.”

– Carl Rogers

The world I believed in, back in my most innocent, uninformed, childish mind—is real.”

– Martha Beck

Happy are those who dream dreams and are ready to pay the price to make them come true.”

– Leo Jozef Suenens

Do not say, ‘why were the former days better than these,’ for it is not from wisdom that you ask this.”

– Ecclesiastes, 7:10

There’s nowhere you can be that isn’t where you’re meant to be…”

– John Lennon

You take your life in your own hands, and what happens?
 A terrible thing: no one to blame.”

– Erica Jong

It is only with the heart that one can see rightly,
 what is essential is invisible to the eye.”

– Antoine de Saint-Exupéry

The curious paradox is that when I accept myself just as I am, then I can change.”

– Carl Rogers

You’ve got to be willing to crash and burn. If you’re afraid of failing, you won’t get very far.”

– Steve Jobs

We are not meant to resolve all contradictions, but to live with them and rise above them.”

– William Blake

When you are asked if you can do a job, tell ‘em, ‘Certainly I can!’ Then get busy and find out how to do it.”

– Theodore Roosevelt

It is not in the stars to hold our destiny but in ourselves.”

– William Shakespeare

You don’t go into a field that requires cracking people’s heads open or operating on something as delicate as the spinal cord unless you are comfortable with taking risks.”

– Dr. Ben Carson

We are all of us born with a letter inside us, and that only if we are true to ourselves, may we be allowed to read it before we die.”

– Douglas Coupland

The person who makes a success of living is the one who see his goal steadily and aims for it unswervingly. That is dedication.”

– Cecil B. DeMille

To follow, without halt, one aim: There’s the secret of success.”

– Anna Pavlova

In three words I can sum up everything I’ve learned about life: it goes on.

– Robert Frost

There are children playing in the street who could solve some of my top problems in physics, because they have modes of sensory perception that I lost long ago.”

– J. Robert Oppenheimer

The important thing is not being afraid to take a chance. The greatest failure is to not try.”

– Debbi Fields, Mrs. Fields Cookies

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